Journal of Cultural Heritage Management and Sustainable Development

Journal of Cultural Heritage Management and Sustainable Development is a peer-reviewed title published by Emerald Publishing that links heritage management with sustainable development, carrying multidisciplinary papers from the built environment, tourism and sustainability fields.《文化遗产管理与可持续发展》是 Emerald Publishing 出版的同行评议刊物，把文化遗产管理与可持续发展连在一起，刊载来自建筑环境、旅游业与可持续性领域的跨学科论文。

Published since 2011, the journal is placed by Clarivate in the JCR category GREEN & SUSTAINABLE SCIENCE & TECHNOLOGY, where its 2025 Journal Impact Factor reached 1.3 and the five-year average stands at 1.8.刊物自 2011 年起出版，被 Clarivate 归入 JCR 的绿色与可持续性科技类目，2025 年期刊影响因子为 1.3，五年平均值为 1.8。

Scope

• The stated mission is to stimulate and encourage research devoted to the sustainable development of cultural heritage and to the positive contribution of cultural heritage management towards a sustainable environment.刊物自述的宗旨是推动并鼓励以文化遗产可持续发展为主题的研究，并促成文化遗产管理对可持续环境的正面贡献。
• It sets out to develop the skills and knowledge of the international community working in cultural heritage and sustainable development, and to disseminate innovative research and practice so that current practice improves and new approaches are applied.刊物致力于提升这一领域国际从业者的技能与知识，并传播创新研究与实践，推动既有做法的改进与新路径的应用。
• Both theoretical and practical papers are published, and work built on quantitative as well as qualitative methodological approaches is accepted.理论与实践类论文均在接收之列，定量与定性方法路径的研究都被接受。
• Articles on immovable cultural heritage and its role in sustainable development are particularly welcome, and that term covers cultural landscapes through to individual monuments.刊物特别欢迎以不可移动文化遗产及其在可持续发展中作用为主题的论文，不可移动文化遗产的范围从文化景观一直到单体纪念物。
• Other dimensions of heritage are considered for publication as well, among them rural cultural heritage and the management of indigenous cultural heritage.遗产的其他维度也在考虑之列，其中包括乡村文化遗产与原住民文化遗产管理。
• On the heritage side the coverage runs from assessment and management through to marketing and publicity, and it takes in both tangible and intangible dimensions.文化遗产一端的覆盖从评估与管理延伸到营销和公众传播，并且同时处理有形与无形两个维度。
• The sustainable development side of the scope leads with preservation, conservation and restoration, and it also admits reconstruction, demolition and best practice while naming unsustainable development and the threats that follow from it.可持续发展一端以保存、维护与修复等做法为主，涉及重建、拆除和最佳实践，并指出不可持续开发及其带来的威胁。
• A third block links heritage and sustainability through legislation, cultural heritage impact assessment and the effects of climate change.第三块内容把文化遗产与可持续发展联系起来，涉及立法与文化遗产影响评估，也涵盖气候变化带来的影响。
• That block also treats ecological, social and economic sustainability as three separate strands of the same question.该部分还把生态、社会与经济三个层面的可持续性作为同一问题的三条线索分别处理。
• The scope further names the role of research and scholarship, and teaching with curriculum development.宗旨与范围还提到研究与学术工作的作用，以及教学与课程开发。
• The journal's own overview describes the field it covers as built environment, tourism and sustainability, which sets the practical readership it addresses.刊物自己的简介把所涉领域概括为建筑环境、旅游业与可持续性，由此界定了它面对的实际读者群。
• Manuscript categories run from research papers and practitioner papers, capped at 8000 words, to editorials, conference or seminar reviews, funding and project or network reviews, and news and reviews.投稿类别从研究论文与实践论文起步，长度上限为 8000 字。社论与会议或研讨会综述、基金与项目或网络综述以及新闻与书评也都在可选之列。
• Submissions must carry a structured abstract with the headings purpose, design/methodology/approach, findings and originality, while research limitations and implications, practical implications and social implications are optional.投稿须附结构式摘要，固定小标题为目的、设计与方法以及发现与原创性；研究局限与启示、实践意义与社会意义则属可选项。
• Manuscripts are accepted in Microsoft Word format in UK or US English, and references follow one of the recognised Harvard styles.稿件以 Microsoft Word 格式提交，文字须为英式或美式英语，参考文献采用 Harvard 体例之一。
• Up to twelve keywords may be submitted, and the in-house editorial team may replace them with terms that match the wording used across the journal.作者可提交至多 12 个关键词，编辑部也可能将其替换为与刊物用语一致的词条。

History

• The journal was announced in 2010 as a new title for 2011 from Emerald Group Publishing, and it was co-edited from the start by Ana Pereira Roders of Eindhoven University of Technology and Ron van Oers of the UNESCO World Heritage Centre.该刊在 2010 年以 Emerald Group Publishing 的新刊身份发布征稿，计划于 2011 年创刊，首任共同主编是埃因霍温理工大学的学者（Ana Pereira Roders）与联合国教科文组织世界遗产中心的学者（Ron van Oers）。
• Volume 1 issue 1 appeared on 27 May 2011 and opened with an editorial written jointly by the two founding editors.第 1 卷第 1 期于 2011 年 5 月 27 日出版，开篇是两位创刊主编合写的一篇社论。^[1]
• That first issue set the journal's UNESCO-facing orientation, with a paper on why development needs culture and another tracing the voices behind the World Heritage Convention of 1972.创刊号以文化与发展的关系为题的论文，以及回顾 1972 年世界遗产公约背后声音的另一篇文章，为刊物定下了面向联合国的取向。^[2][3]
• The title itself has never been changed, and the ISSN record carries no earlier form of the name, so both ISSNs have stayed with the journal since the first volume.刊名本身从未改动，国际标准期刊号记录中也没有更早的题名形式，两个 ISSN 自创刊卷起一直沿用。
• Frequency has moved up several times, from two issues a year in the first four volumes through three issues in 2015 and 2016 and four issues from 2017, and by 2026 the sixteenth volume runs to eight issues with the seventh dated December.刊期一路上调，前四卷每年两期，2015 年与 2016 年每年三期，2017 年起每年四期，到 2026 年第 16 卷已达每年八期，第七期标注的出版时间为 12 月。
• The founding imprint was Emerald Group Publishing of Bingley in Leeds, and the title is now issued under the Emerald Publishing imprint, with the copyright line on the publisher's own pages reading Emerald Publishing Limited.创刊时的出版机构是位于利兹宾利镇的 Emerald Group Publishing，如今该刊以 Emerald Publishing 的名义发行，出版方页面的版权行写作 Emerald Publishing Limited。
• Editorial leadership has passed from the two founding co-editors, and Ana Pereira Roders remains on the masthead in the role of founding editor alongside the present co-editors.编辑工作已从两位创刊共同主编手中交出，学者（Ana Pereira Roders）以创刊主编的身份留在编务名单上，与现任共同主编并列。
• The journal sits in the Emerging Sources Citation Index, with a 2025 impact factor of 1.3 following 1.1 in 2023 and 1.2 in 2024, and it holds the fourth quartile among the 114 journals in its JCR category.该刊收录于 Emerging Sources Citation Index，影响因子 2023 年为 1.1，2024 年为 1.2，2025 年为 1.3，在所属 JCR 类目的 114 种期刊中位列第四分区。
• Other 2025 measures recorded for it include a Journal Citation Indicator of 0.22 and a share of 17.22 per cent of articles published gold open access, with an output of about 57 articles a year.2025 年该刊的其他指标包括 0.22 的期刊引文指数与占比 17.22% 的金色开放获取文章比例，发文体量约为每年 57 篇。
• The volume numbering reached its sixteenth year in 2026, and the journal site announced volume 16 issue 4 as the current issue in June 2026.该刊卷号在 2026 年增至第 16 卷，刊物网站在 2026 年 6 月把第 16 卷第 4 期列为当期。
• Access is hybrid, with subscription and gold open access on a Creative Commons CC BY 4.0 licence, and the publisher applies no embargo to the accepted manuscript.刊物采用混合开放获取模式，在订阅之外提供依 CC BY 4.0 许可协议发布的金色开放获取，出版方对录用稿件不设禁售期。
• Every article carries a DOI under the publisher prefix 10.1108, and the archive on the journal platform reaches back to the 2011 first volume.每篇论文都带有出版方前缀 10.1108 的 DOI，刊物平台上的档案可回溯到 2011 年的创刊卷。

Editors

• Three co-editors run the journal, Bayan El Faouri of The Hashemite University in Jordan, Mario Santana Quintero of the Department of Civil and Environmental Engineering at Carleton University in Canada, and Ona Vileikis of the Department of Culture and Tourism in Abu Dhabi.现任共同主编有三位。约旦哈希姆大学的学者（Bayan El Faouri）是其中之一，加拿大卡尔顿大学土木与环境工程系的学者（Mario Santana Quintero）与阿布扎比文化与旅游部历史环境处的学者（Ona Vileikis）分担其余两席。
• Miquel Reina Ortiz of the University of Montreal serves as editorial assistant, the publisher for the title is Katie McCallum of Emerald Publishing, and a separate journal editorial office handles pre-acceptance queries.助理编辑一职由蒙特利尔大学的学者（Miquel Reina Ortiz）担任，该刊的出版方代表（Katie McCallum）来自 Emerald Publishing，录用前的事务往来由一个独立的编辑部处理。
• Ana Pereira Roders of Delft University of Technology is listed as founding editor, while the research records of the journal credit Loes Veldpaus with the reviews editorship from 2010 to 2013.德尔夫特理工大学的学者（Ana Pereira Roders）在编务名单上标为创刊主编，刊物自身的研究档案把 2010 年至 2013 年的综述主编一职记在 Loes Veldpaus 名下。
• An editorial advisory board of around forty members supports the editors, among them the Venice scholar Francesco Bandarin and the Kent University scholar Sophia Labadi, alongside Randall Mason of the University of Pennsylvania and Lynn Meskell of Stanford University.约 40 人的编辑顾问委员会为编辑部提供支持，成员包括威尼斯大学的学者（Francesco Bandarin）与肯特大学的学者（Sophia Labadi），以及宾夕法尼亚大学的学者（Randall Mason）、斯坦福大学的学者（Lynn Meskell），鲁汶大学的学者（Koenraad Van Balen）和 ICCROM 的学者（Rohit Jigyasu）也在其中。
• The same roster carries Teresa Patricio of the University of Leuven and the Raymond Lemaire International Centre for Conservation, Monalisa Maharjan of the UNESCO Chair for Intangible Cultural Heritage and Traditional Know-how at the University of Évora, Chen Yang of Tongji University and Christopher Young, formerly head of international advice at English Heritage.顾问名单上还有鲁汶大学雷蒙·勒梅尔国际保护中心的学者（Teresa Patricio）、埃武拉大学非物质文化遗产与传统知识 UNESCO 教席的学者（Monalisa Maharjan）与同济大学的学者（Chen Yang），曾任 English Heritage 国际咨询主管的学者（Christopher Young）也在其列。
• Review is double anonymous, with every submission sent to at least two independent referees after the editorial office has screened it for scope, language and originality, the screening service being Crossref Similarity Check.审稿采用双盲方式，稿件先由编辑部就范围、语言与原创性筛查，再送至少两位独立审稿人，原创性筛查使用的是 Crossref Similarity Check。
• The editor aims to communicate a first decision within 60 days, and a submission that does not fit the aims and scope may be declined before review.刊物把首次决定控制在 60 天之内，不符宗旨与范围的投稿可能在送审之前即被拒稿。
• Manuscripts are submitted through ScholarOne by the corresponding author only, each contributor needs a ScholarOne account and an ORCID identifier, and third-party agents are not accepted.投稿只接受通讯作者通过 ScholarOne 提交，每位作者都需 ScholarOne 账号与 ORCID 标识，第三方代理一律不予受理。
• Manuscripts run from 4000 to 8000 words with tables in a separate file, figures in the listed formats, Harvard referencing in the reference list, and up to twelve keywords.稿件篇幅为 4000 至 8000 字，表格单独成文件，图件采用指定格式，参考文献列表用 Harvard 体例，关键词至多 12 个。
• The publisher's ethics rules follow the COPE flowcharts, require disclosure of conflicts of interest and of any substantial element published elsewhere, and ask for written permission where third-party material is reproduced.出版方的伦理规则循 COPE 的流程图制定，要求披露利益冲突与任何已在他处发表的主要内容，涉及第三方素材时须事先取得书面许可。
• Under the publisher's policy on AI use, generative tools may not be used to write new material, copy-editing of the author's own text is permitted, and a language model cannot be credited as an author.依出版方的人工智能使用政策，生成式工具不得用于撰写新内容，作者本人文本的润色则被允许，语言模型也不能被署名为作者。
• The publisher is a signatory to the Transparency and Openness Promotion guidelines, and UK authors with REF 2029 commitments must make a closed deposit of the accepted manuscript.出版方是透明度与开放促进指南的签署方，负有 REF 2029 义务的英国作者须把录用稿件作闭存提交。
• A manuscript transfer service allows the editor to move a paper that falls outside the scope to a sister journal where the work might fit better.出版方设有稿件转投服务，编辑可把超出刊物范围的论文转投到更契合的姊妹刊物。